Peter Mendelsund’s journey into the field of book cover design wasn’t the typical path taken by most graphic designers: He graduated from Columbia University as a philosophy major with a master’s degree in piano performance. Following his graduation, he “struggled to make a living as a pianist” before training himself in graphic design. He was hired by Chip Kidd to work at Vintage Books and was later promoted to associate art director at Alfred A. Knopf. He eventually became the art director of Pantheon Books and Vertical Press.
He has designed critically acclaimed book covers for James Joyce, Vladimir Nabokov, Simone de Beauvoir, Julio Cortázar, Fyodor Dostoevsky, and Stieg Larsson. His book cover for The Girl with the Dragon Tattoo has been praised by The Wall Street Journal as “one of the most instantly recognizable and iconic book covers in contemporary fiction in the U.S.” The New York Times described Mendelsund as “one of the top designers at work today.”
Mendelsund is the author of five books: The Delivery (Farrar, Straus & Giroux), The Look Of The Book, Same Same (Vintage), What We See When We Read, and Cover (powerHouse Books).
Today, he is the Creative Director of The Atlantic.
Peter Mendelsund’s journey into the field of book cover design wasn’t the typical path taken by most graphic designers: He graduated from Columbia University as a philosophy major with a master’s degree in piano performance. Following his graduation, he “struggled to make a living as a pianist” before training himself in graphic design. He was hired by Chip Kidd to work at Vintage Books and was later promoted to associate art director at Alfred A. Knopf. He eventually became the art director of Pantheon Books and Vertical Press.
He has designed critically acclaimed book covers for James Joyce, Vladimir Nabokov, Simone de Beauvoir, Julio Cortázar, Fyodor Dostoevsky, and Stieg Larsson. His book cover for The Girl with the Dragon Tattoo has been praised by The Wall Street Journal as “one of the most instantly recognizable and iconic book covers in contemporary fiction in the U.S.” The New York Times described Mendelsund as “one of the top designers at work today.”
Mendelsund is the author of five books: The Delivery (Farrar, Straus & Giroux), The Look Of The Book, Same Same (Vintage), What We See When We Read, and Cover (powerHouse Books).
Today, he is the Creative Director of The Atlantic.
Only a carefully curated group of designers are given access to the creative briefs posted on the INABC Jobs Board. This system ensures that clients receive top-notch, focused proposals from professionals whose talents have been vetted.
All designers who will be bidding on your cover design have applied to receive job notifications and have been approved by the INABC admin team. Our approved designers:
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INABC is not a full-service design agency. It’s a curated directory designed to help visitors identify the designers behind some pretty amazing book covers.
If you reach out to a talented designer from this site, INABC does not take responsibility for the professional interactions that may follow. Each designer in our directory sets their own proposals and contracts. We encourage you to review a designer’s portfolio carefully to make sure they’re a good fit for your project and to communicate your expectations clearly with your chosen designer. Designers and clients are expected to draft, negotiate, and sign their own contracts to ensure that expectations, deliverables, and rights are clearly outlined before any work begins.
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