I’m an award-winning graphic designer, illustrator, and painter, with Simon & Schuster, The New Yorker, Forbes, Gourmet, Bellevue Literary Press, Dzanc Books, University of Chicago Press, and other university, independent, and small presses among my clients.
Of all the things I’ve done as a visual artist, from illustrations for The New Yorker to writing and illustrating children’s books to drawing story boards for movies and doing caricatures aboard the QE2, none have given me more joy than designing book covers. As the author of several books of my own, I know how meaningful and powerful a well-designed cover can be. It saddens me when a worthy book, one that its author may have put years into, doesn’t get the cover it deserves. At least as much training, artistry, and skill that go into a book’s cover as went into what’s inside. Knowing InDesign doesn’t make one a designer.
When not designing covers for other people’s books, I’m writing my own. My short story collection, Drowning Lessons, won the Flannery O’Connor Award for Fiction. My most recent novel, A Boy’s Guide to Outer Space, was a finalist for the Townsend Prize, Georgia’s top literary award.
I live in Milledgeville, Georgia, where I teach creative writing and graphic design at Georgia College & State University.
I’m an award-winning graphic designer, illustrator, and painter, with Simon & Schuster, The New Yorker, Forbes, Gourmet, Bellevue Literary Press, Dzanc Books, University of Chicago Press, and other university, independent, and small presses among my clients.
Of all the things I’ve done as a visual artist, from illustrations for The New Yorker to writing and illustrating children’s books to drawing story boards for movies and doing caricatures aboard the QE2, none have given me more joy than designing book covers. As the author of several books of my own, I know how meaningful and powerful a well-designed cover can be. It saddens me when a worthy book, one that its author may have put years into, doesn’t get the cover it deserves. At least as much training, artistry, and skill that go into a book’s cover as went into what’s inside. Knowing InDesign doesn’t make one a designer.
When not designing covers for other people’s books, I’m writing my own. My short story collection, Drowning Lessons, won the Flannery O’Connor Award for Fiction. My most recent novel, A Boy’s Guide to Outer Space, was a finalist for the Townsend Prize, Georgia’s top literary award.
I live in Milledgeville, Georgia, where I teach creative writing and graphic design at Georgia College & State University.















Only a carefully curated group of designers are given access to the creative briefs posted on the INABC Jobs Board. This system ensures that clients receive top-notch, focused proposals from professionals whose talents have been vetted.
All designers who will be bidding on your cover design have applied to receive job notifications and have been approved by the INABC admin team. Our approved designers:
If you are contacted by a designer that doesn’t align with the requirements described above, we ask that you please contact the INABC admin team at ineedabookcover.assistant@gmail.com.
INABC is not a full-service design agency. It’s a curated directory designed to help visitors identify the designers behind some pretty amazing book covers.
If you reach out to a talented designer from this site, INABC does not take responsibility for the professional interactions that may follow. Each designer in our directory sets their own proposals and contracts. We encourage you to review a designer’s portfolio carefully to make sure they’re a good fit for your project and to communicate your expectations clearly with your chosen designer. Designers and clients are expected to draft, negotiate, and sign their own contracts to ensure that expectations, deliverables, and rights are clearly outlined before any work begins.
While we do our best to curate a talented community, INABC is not involved in the collaborations that follow, and, therefore, we cannot guarantee the outcome of individual projects with specific designers. If you run into an issue with a designer that you find from using INABC, we are open to learning about your experience, but ultimately, INABC will not be involved in any specific disputes. For more information, visit the For Authors page and read our Terms & Conditions.