Paul Buckley was the Senior Vice President, Executive Creative Director at Penguin Random House where he oversaw ten imprints called The Penguin Art Group. His impressive tenure at Penguin spanned 34 years.
During his time at Penguin, Buckley crafted several distinctive design series, including The Pelican Shakespeare Project, Penguin Ink, Penguin Threads, and Penguin Galaxy.
Buckley’s work has been recognized by the Copper Hewitt-Smithsonian Design Museum, the London Design Museum, showcased and/or awarded by Creativity Magazine, Print Magazine, Advertising Age, the Type Director’s Club, the Art Director’s Club, How Magazine, Communication Arts, 50 Books 50 Covers, Graphis, Entertainment Weekly, The New York Times, D&AD, Photo District News, and the American Institute of Graphic Artists (AIGA). His work can be seen in many Steven Heller and Mirko Ilic books, as well as numerous national and international publications. His art direction has been awarded numerous gold and silver medals by the Society of Illustrators.
In 2017, Buckley edited and introduced Cover to Cover, and in 2010, he edited and introduced Penguin 75.
Listen to Paul’s interview with Spine Magazine on their podcast, Spine.
Listen to Paul’s interview with Unknown Origins.
Read “Five Questions with Paul Buckley” from Print Magazine (2010)
You can view 100s of collaborations that Buckley oversaw on his website’s “vault.”
Paul Buckley was the Senior Vice President, Executive Creative Director at Penguin Random House where he oversaw ten imprints called The Penguin Art Group. His impressive tenure at Penguin spanned 34 years.
During his time at Penguin, Buckley crafted several distinctive design series, including The Pelican Shakespeare Project, Penguin Ink, Penguin Threads, and Penguin Galaxy.
Buckley’s work has been recognized by the Copper Hewitt-Smithsonian Design Museum, the London Design Museum, showcased and/or awarded by Creativity Magazine, Print Magazine, Advertising Age, the Type Director’s Club, the Art Director’s Club, How Magazine, Communication Arts, 50 Books 50 Covers, Graphis, Entertainment Weekly, The New York Times, D&AD, Photo District News, and the American Institute of Graphic Artists (AIGA). His work can be seen in many Steven Heller and Mirko Ilic books, as well as numerous national and international publications. His art direction has been awarded numerous gold and silver medals by the Society of Illustrators.
In 2017, Buckley edited and introduced Cover to Cover, and in 2010, he edited and introduced Penguin 75.
Listen to Paul’s interview with Spine Magazine on their podcast, Spine.
Listen to Paul’s interview with Unknown Origins.
Read “Five Questions with Paul Buckley” from Print Magazine (2010)
You can view 100s of collaborations that Buckley oversaw on his website’s “vault.”








Only a carefully curated group of designers are given access to the creative briefs posted on the INABC Jobs Board. This system ensures that clients receive top-notch, focused proposals from professionals whose talents have been vetted.
All designers who will be bidding on your cover design have applied to receive job notifications and have been approved by the INABC admin team. Our approved designers:
If you are contacted by a designer that doesn’t align with the requirements described above, we ask that you please contact the INABC admin team at ineedabookcover.assistant@gmail.com.
INABC is not a full-service design agency. It’s a curated directory designed to help visitors identify the designers behind some pretty amazing book covers.
If you reach out to a talented designer from this site, INABC does not take responsibility for the professional interactions that may follow. Each designer in our directory sets their own proposals and contracts. We encourage you to review a designer’s portfolio carefully to make sure they’re a good fit for your project and to communicate your expectations clearly with your chosen designer. Designers and clients are expected to draft, negotiate, and sign their own contracts to ensure that expectations, deliverables, and rights are clearly outlined before any work begins.
While we do our best to curate a talented community, INABC is not involved in the collaborations that follow, and, therefore, we cannot guarantee the outcome of individual projects with specific designers. If you run into an issue with a designer that you find from using INABC, we are open to learning about your experience, but ultimately, INABC will not be involved in any specific disputes. For more information, visit the For Authors page and read our Terms & Conditions.