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Faceout Studio

Design Studio

Faceout Studio is a design firm based in Oregon that specializes in book cover design and book packaging. The studio was founded by Torrey Sharp and Charles Brock in 1996. Currently, it is headed up by Tim Green, Creative Director, and Jeff Miller, Associate Creative Director. Their list of past clients is long and includes major trade publications such as Simon & Schuster, Harper Collins, Amazon, Macmillan, and others. You are no doubt familiar with their work already. Faceout Studio is responsible for bestselling jackets such as Mexican Gothic and Megan Fox’s Pretty Boys Are Poisonous.

The company got its name from the idea that when you display books on a shelf or in a store, they should be displayed “face-out” if they are noteworthy and deserving of extra attention.

In addition to creating nearly 600 cover designs each year, Faceout Studio offers Faceout Loud, a program of opportunities tailored for students, and Past Due Books, their own imprint featuring favorite books from the public domain. The studio also offers clients entire marketing kits and campaigns through Faceout Media.

Tim Green delves deep into his process for creating Beauty Is Your Destiny in this Bridgeman blog post interview.

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Faceout Studio

Design Studio

Faceout Studio is a design firm based in Oregon that specializes in book cover design and book packaging. The studio was founded by Torrey Sharp and Charles Brock in 1996. Currently, it is headed up by Tim Green, Creative Director, and Jeff Miller, Associate Creative Director. Their list of past clients is long and includes major trade publications such as Simon & Schuster, Harper Collins, Amazon, Macmillan, and others. You are no doubt familiar with their work already. Faceout Studio is responsible for bestselling jackets such as Mexican Gothic and Megan Fox’s Pretty Boys Are Poisonous.

The company got its name from the idea that when you display books on a shelf or in a store, they should be displayed “face-out” if they are noteworthy and deserving of extra attention.

In addition to creating nearly 600 cover designs each year, Faceout Studio offers Faceout Loud, a program of opportunities tailored for students, and Past Due Books, their own imprint featuring favorite books from the public domain. The studio also offers clients entire marketing kits and campaigns through Faceout Media.

Tim Green delves deep into his process for creating Beauty Is Your Destiny in this Bridgeman blog post interview.

Show More
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HowWeVote
ShareYourStuff
BrighterByDay
TheFearOfChildSexuality
TheSpecteroftheArchive
PrettyBoysArePoisonous
Three-Fires-book-cover-design
if i dont laugh ill cry
SideHustleSafetyNet
SundayMatters
TheVarietiesofAtheism
shred-sisters-design-faceout-books
The-Black-Side-of-The-River
I-Never-Thought-of-It-That-Way
Fi-book-cover
Salty-by-alissa-wilkinson
the-laws-of-connection
Warhol-After-Warhol
remembering-1989
infinite-life-book-cover
the-saint-of-bright-doors
inference-and-representation
blood-rubies-elisha-zepeda
nothing-ever-just-disappears
kubrick
worthy-of-freedom
the-internal-colony
rhythms-of-resistance
the-daughter-of-doctor-moreau-design-faceout
the-river-has-roots
cleaning-up-your-mental-mess
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Designer Requirements

Only a carefully curated group of designers are given access to the creative briefs posted on the INABC Jobs Board. This system ensures that clients receive top-notch, focused proposals from professionals whose talents have been vetted

All designers who will be bidding on your cover design have applied to receive job notifications and have been approved by the INABC admin team. Our approved designers:

  • Are professional book cover designers, not simply generalist graphic designers.
  • Have been working in the industry for a minimum of 3 years, usually more.
  • Must demonstrate a contemporary aesthetic, creating work that feels current and relevant to today’s book design market. We seek professionals who stay informed on industry trends while pushing boundaries with innovative, forward-thinking designs. Our designers know that our clients are not looking for designs that feel “dated.”
  • Regularly and consistently work on multiple book cover projects each month. Over years of designing at this pace, they’ve built portfolios showcasing a substantial body of published work (at least 16 covers for review).
  • Are committed to delivering high-quality, original designs tailored to each client’s unique vision. 
  • Do NOT sell or offer book cover premades. At INABC, we do not condone the offering of pre-made book covers. We are fans of highly bespoke cover work.
  • Do NOT use AI-generated imagery in their commercial work.
  • Have accessible online portfolios showcasing book cover work that are easy for anyone to review.
  • Have extensive experience working with self-publishing authors AND commercial presses.
  • Are available and excited to receive these weekly briefs.

If you are contacted by a designer that doesn’t align with the requirements described above, we ask that you please contact the INABC admin team at ineedabookcover.assistant@gmail.com.

Designer Disclaimer

INABC is not a full-service design agency. It’s a curated directory designed to help visitors identify the designers behind some pretty amazing book covers.

If you reach out to a talented designer from this site, INABC does not take responsibility for the professional interactions that may follow. Each designer in our directory sets their own proposals and contracts. We encourage you to review a designer’s portfolio carefully to make sure they’re a good fit for your project and to communicate your expectations clearly with your chosen designer. Designers and clients are expected to draft, negotiate, and sign their own contracts to ensure that expectations, deliverables, and rights are clearly outlined before any work begins.

While we do our best to curate a talented community, INABC is not involved in the collaborations that follow, and, therefore, we cannot guarantee the outcome of individual projects with specific designers. If you run into an issue with a designer that you find from using INABC, we are open to learning about your experience, but ultimately, INABC will not be involved in any specific disputes. For more information, visit the For Authors page and read our Terms & Conditions.

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