Coralie graduated from Reading University after studying Typography and Graphic Communication. She currently works in-house at Penguin Books. Her work has been recognized by the AIGA (NY) and D&AD (UK) and have been featured in numerous international magazines and newspapers including The New York Times, Vogue and The Guardian.
You might know her from the work she did with Penguin Classics on the clothbound series (The Penguin Clothbound Classics series) which attracted worldwide attention and harks back to the world of Victorian bindings and the golden age of book binding. She created stunningly detailed clothbound covers with beautiful foil stamping for classic literature for The Penguin Clothbound Classics series, helping to rejuvenate interest in these timeless works through their visual appeal. This series took old, beloved classics and turned them not just into books, but also art objects.
Listen to Coralie’s interview with Spine Magazine on their podcast, Spine.
Coralie graduated from Reading University after studying Typography and Graphic Communication. She currently works in-house at Penguin Books. Her work has been recognized by the AIGA (NY) and D&AD (UK) and have been featured in numerous international magazines and newspapers including The New York Times, Vogue and The Guardian.
You might know her from the work she did with Penguin Classics on the clothbound series (The Penguin Clothbound Classics series) which attracted worldwide attention and harks back to the world of Victorian bindings and the golden age of book binding. She created stunningly detailed clothbound covers with beautiful foil stamping for classic literature for The Penguin Clothbound Classics series, helping to rejuvenate interest in these timeless works through their visual appeal. This series took old, beloved classics and turned them not just into books, but also art objects.
Listen to Coralie’s interview with Spine Magazine on their podcast, Spine.







Only a carefully curated group of designers are given access to the creative briefs posted on the INABC Jobs Board. This system ensures that clients receive top-notch, focused proposals from professionals whose talents have been vetted.
All designers who will be bidding on your cover design have applied to receive job notifications and have been approved by the INABC admin team. Our approved designers:
If you are contacted by a designer that doesn’t align with the requirements described above, we ask that you please contact the INABC admin team at ineedabookcover.assistant@gmail.com.
INABC is not a full-service design agency. It’s a curated directory designed to help visitors identify the designers behind some pretty amazing book covers.
If you reach out to a talented designer from this site, INABC does not take responsibility for the professional interactions that may follow. Each designer in our directory sets their own proposals and contracts. We encourage you to review a designer’s portfolio carefully to make sure they’re a good fit for your project and to communicate your expectations clearly with your chosen designer. Designers and clients are expected to draft, negotiate, and sign their own contracts to ensure that expectations, deliverables, and rights are clearly outlined before any work begins.
While we do our best to curate a talented community, INABC is not involved in the collaborations that follow, and, therefore, we cannot guarantee the outcome of individual projects with specific designers. If you run into an issue with a designer that you find from using INABC, we are open to learning about your experience, but ultimately, INABC will not be involved in any specific disputes. For more information, visit the For Authors page and read our Terms & Conditions.