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10 Questions for Anthony Brambilla

A Lesson in The Importance of Cold Emails!

10 Questions for Anthony Brambilla

A Lesson in The Importance of Cold Emails!

This is 10 Questions, an interview series where we get to know the designers from the directory a little better. Today, meet Anthony Brambilla! Anthony worked at Barnes & Noble before becoming a cover designer. Since 2023, he’s been a designer with Farrar, Straus, and Giroux. Read about his career journey and interests below!


1. Visually take us through your professional journey. Create a diagram that summarizes your career to date.

2. When did you realize that you wanted to become a book cover designer?

Anthony Brambilla: I was working at Barnes & Noble at the time and one day while I was sorting through books I had an epiphany, I was so inspired by all of these covers that I wanted to give it a try myself, so I did some redesigns of books I liked and really started to fall in love with the process.

3. If you couldn’t design book covers for a living (or hold any job in the creative field), what’s another career that you think you would’ve excelled in or have wanted to try?

Anthony Brambilla: Well originally I was going to go to college to major in History, so maybe I would have become a history teacher, or an historian.

4. How do you use Instagram?

Anthony Brambilla: Ive been using it as a source of inspiration but also as a networking tool, I like connecting with fellow designers, It’s much more authentic compared to Linkedin in my opinion.

5. Spread good design. Who is one (non-book-cover) graphic designer or artist that we should check out?

Anthony Brambilla: One of my absolute favorite artists is Syd Mead, he was a visual futurist and industrial designer, he’s done designs and illustrations for many companies and magazines, and has done concept work for movies, such as Alien and Bladerunner. His gouache paintings are amazing, I can stare at them all day.

6. If you HAD to devote one day per week to a side hustle or creative pursuit, describe how you would spend that day.

Anthony Brambilla: I would spend that entire day oil painting, I just started with this medium and I want to get better with it, it’s a very fun (yet costly) hobby…in a perfect world I’d have a nice studio space. (one day!)

7. What’s your ideal auditory environment while working?

Anthony Brambilla: Most of the time i’ll have a YouTube video in the background or sometimes i’ll have music playing, but if I need to really lock in and focus on something then Ill have nothing playing in the background, just the sound of my air purifier, I can’t have complete silence…I’m pretty sure I have tinnitus…

8. What’s one creative skill you wish you had time to pursue so that you could incorporate it into future designs?

Anthony Brambilla: Hand-lettering…that’s my kryptonite…

9. Name one author you would love to design for before you retire.

Anthony Brambilla: One of my closest friends is an author (K.L. Walther) I’d love to design one of her future novels!

10. The INABC Exit Question. You’re at a party and you just told a stranger that you’re a book cover designer. What’s the most common response you get from people when they hear this? 

Anthony Brambilla: When I tell people I work in publishing most of the time people say “oh you can design my book cover” which I absolutely would!


For more Q&As from our pool of talented designers, explore the 10 Questions series page.
Special thanks to Amanda Hudson for creating the series’ blog post cover design.

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Designer Requirements

Only a carefully curated group of designers are given access to the creative briefs posted on the INABC Jobs Board. This system ensures that clients receive top-notch, focused proposals from professionals whose talents have been vetted

All designers who will be bidding on your cover design have applied to receive job notifications and have been approved by the INABC admin team. Our approved designers:

  • Are professional book cover designers, not simply generalist graphic designers.
  • Have been working in the industry for a minimum of 3 years, usually more.
  • Must demonstrate a contemporary aesthetic, creating work that feels current and relevant to today’s book design market. We seek professionals who stay informed on industry trends while pushing boundaries with innovative, forward-thinking designs. Our designers know that our clients are not looking for designs that feel “dated.”
  • Work on multiple book cover projects in any given month
  • Are committed to delivering high-quality, original designs tailored to each client’s unique vision. 
  • Do NOT sell or offer book cover premades. At INABC, we do not condone the offering of pre-made book covers. We are fans of highly bespoke cover work.
  • Do NOT use AI-generated imagery in their commercial work.
  • Have accessible online portfolios showcasing book cover work that are easy for anyone to review.
  • Have extensive experience working with self-publishing authors AND commercial presses.
  • Are available and excited to receive these weekly briefs.

If you are contacted by a designer that doesn’t align with the requirements described above, we ask that you please contact the INABC admin team at ineedabookcover.assistant@gmail.com.

Designer Disclaimer

INABC is not a full-service design agency. It’s a curated directory that helps you connect directly with talented freelance designers. Each designer handles their own pricing, process, and contracts. We encourage you to communicate clearly with your chosen designer and to review their portfolio carefully to make sure they’re a good fit for your project. Designers and authors are expected to draft, negotiate, and sign their own contracts to ensure that expectations, deliverables, and rights are clearly outlined before any work begins.

While we do our best to curate a talented community, INABC is not involved in the collaborations that follow and we cannot guarantee the outcome of individual projects with specific designers. If you run into an issue with a designer that you find from using INABC, we are open to learning about your experience, but ultimately, INABC will not be involved in any specific disputes. For more information, visit the For Authors page and read our Terms & Conditions.

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